Ghost
Mourning band for George Washington, 1799 Boston, the Museum of Fine Arts Boston

Mourning band for George Washington (d. 12/14/1799), white ribbon with painted design of urn inscribed “GW” in wreath, edged with black silk and covered with black silk crepe
Inscription
Written in ink of fabric label sewn to object: “Mourning Badge for George Washington. G.W. on urn. Probably worn by Wm. H. Sumner [1780-1861] 1799, son of Gov. [Increase] Sumner [1746-6/7/1799]”

Mourning band for George Washington, 1799 Boston, the Museum of Fine Arts Boston

Mourning band for George Washington (d. 12/14/1799), white ribbon with painted design of urn inscribed “GW” in wreath, edged with black silk and covered with black silk crepe

Inscription

Written in ink of fabric label sewn to object: “Mourning Badge for George Washington. G.W. on urn. Probably worn by Wm. H. Sumner [1780-1861] 1799, son of Gov. [Increase] Sumner [1746-6/7/1799]”

Robe, ca 1797 England, the Victoria & Albert Museum

Cashmere shawls were prized imports from India during the late 18th century. British manufacturers soon began making shawls in similar styles. Not only were they worn with the newly fashionable Neo-classical gowns, the shawls were also made into gowns. In this example of the late 1790s, the shawl was cut in half and then sewn together to form the front and back of the gown. Sleeves of cream satin and a collar and over-sleeves of green silk fabric were then added. The waistline is very high, sitting just below the bust line.

Robe, ca 1797 England, the Victoria & Albert Museum

Cashmere shawls were prized imports from India during the late 18th century. British manufacturers soon began making shawls in similar styles. Not only were they worn with the newly fashionable Neo-classical gowns, the shawls were also made into gowns. In this example of the late 1790s, the shawl was cut in half and then sewn together to form the front and back of the gown. Sleeves of cream satin and a collar and over-sleeves of green silk fabric were then added. The waistline is very high, sitting just below the bust line.

Robe, 1795-1800 England, the Victoria & Albert Museum

The cotton weaving and printing industries in Britain expanded greatly during the period 1775-1800. Cotton was a very popular fabric for clothing, from sheer muslins to heavy corduroys. It was part of the wardrobe of all classes. This printed cotton gown of the late 1790s could have been the Sunday best of a working-class woman or the informal morning gown of a wealthy lady. The very high waist and long sleeves are the typical fashion of this period.

Robe, 1795-1800 England, the Victoria & Albert Museum

The cotton weaving and printing industries in Britain expanded greatly during the period 1775-1800. Cotton was a very popular fabric for clothing, from sheer muslins to heavy corduroys. It was part of the wardrobe of all classes. This printed cotton gown of the late 1790s could have been the Sunday best of a working-class woman or the informal morning gown of a wealthy lady. The very high waist and long sleeves are the typical fashion of this period.

Wrapper, ca 1855
The lot also includes a day dress (ca 1850), a spencer (ca 1820) and a bodice (ca 1800).
Click to go to the absentee bidding page.  This Kerry Taylor auction will end October 16th at 2:00 PM GMT (9:00 AM EST).  You will need to register to bid ahead of time.

Wrapper, ca 1855

The lot also includes a day dress (ca 1850), a spencer (ca 1820) and a bodice (ca 1800).

Click to go to the absentee bidding page.  This Kerry Taylor auction will end October 16th at 2:00 PM GMT (9:00 AM EST).  You will need to register to bid ahead of time.

Portrait of Elisabeth Henriette Bruun de Neergaard with her eldest son Henrik by Jens Juel, 1799-1800 Denmark, Ny Carlsberg Glyptotek
The Athenaeum gives the artist as George William Joy, but this can’t be right because he was born in 1844 - long after this painting was made.  I can’t find the painting in the museum’s collections to find out where the confusion comes from.

Portrait of Elisabeth Henriette Bruun de Neergaard with her eldest son Henrik by Jens Juel, 1799-1800 Denmark, Ny Carlsberg Glyptotek

The Athenaeum gives the artist as George William Joy, but this can’t be right because he was born in 1844 - long after this painting was made.  I can’t find the painting in the museum’s collections to find out where the confusion comes from.

The Artist and His Family by Jame Peale, 1795 US, Pennsylvania Academy of the Fine Arts
Giant version

The Artist and His Family by Jame Peale, 1795 US, Pennsylvania Academy of the Fine Arts

Giant version

Elizabeth Beale Bordley by Gilbert Stuart, ca 1797 US, Pennsylvania Academy of the Fine Arts

Elizabeth Beale Bordley by Gilbert Stuart, ca 1797 US, Pennsylvania Academy of the Fine Arts

Portrait of Princess Belozersky by Élisabeth Louise Vigée-LeBrun, 1798, National Museum of Women in the Arts

Portrait of Princess Belozersky by Élisabeth Louise Vigée-LeBrun, 1798, National Museum of Women in the Arts

Mrs. Thomas Pechell (Charlotte Clavering, died 1841) by John Hoppner, 1799 England, the Met Museum
Click for a huge image.

Charlotte, second daughter of Lieutenant General Sir John Clavering, married Sir Thomas Brooke-Pechell (1753–1826) in 1785. An inscription on the portrait’s reverse records that it was painted in 1799. The pendant portrait of her husband is also in the Museum’s collection.

Mrs. Thomas Pechell (Charlotte Clavering, died 1841) by John Hoppner, 1799 England, the Met Museum

Click for a huge image.

Charlotte, second daughter of Lieutenant General Sir John Clavering, married Sir Thomas Brooke-Pechell (1753–1826) in 1785. An inscription on the portrait’s reverse records that it was painted in 1799. The pendant portrait of her husband is also in the Museum’s collection.

Shoes, ca 1785-95 the Netherlands, Rijksmuseum
Leather with silk ruches

Shoes, ca 1785-95 the Netherlands, Rijksmuseum

Leather with silk ruches

The Embroidered Cupid by Jean-Baptiste Mallet, 1790’s France, Musée Cognacq-Jay

The Embroidered Cupid by Jean-Baptiste Mallet, 1790’s France, Musée Cognacq-Jay

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