Ghost
Dresses, 1892 Germany, Illustrirte Frauen-Zeitung

Dresses, 1892 Germany, Illustrirte Frauen-Zeitung

Corset, 1890-95 England, the V&A Museum

Improvements in design, equipment and materials meant that corsets could mould the figure to suit the latest fashions. The straight busk on this corset creates a vertical line from bust to abdomen which complemented the less rounded, more angular silhouette of the 1890s. It was also supposed to relieve pressure on the internal organs while supporting the stomach. Shaped pieces (five on each side) have been seamed together and bust and hip gussets inserted to give the corset its distinctive shape. Strips of whalebone follow the contours of the hourglass silhouette, creating a rigid structure to emphasise the smallness of the waist. Each strip is enclosed in a bone channel formed by neat rows of machine stitching. The decorative embroidery stitches (flossing) visible towards the bottom and back of the corset prevent the whalebone from forcing its way out of these channels. A hook is attached at the centre front to prevent the petticoat from riding up and causing extra bulk at the waist.

Corset, 1890-95 England, the V&A Museum

Improvements in design, equipment and materials meant that corsets could mould the figure to suit the latest fashions. The straight busk on this corset creates a vertical line from bust to abdomen which complemented the less rounded, more angular silhouette of the 1890s. It was also supposed to relieve pressure on the internal organs while supporting the stomach. Shaped pieces (five on each side) have been seamed together and bust and hip gussets inserted to give the corset its distinctive shape. Strips of whalebone follow the contours of the hourglass silhouette, creating a rigid structure to emphasise the smallness of the waist. Each strip is enclosed in a bone channel formed by neat rows of machine stitching. The decorative embroidery stitches (flossing) visible towards the bottom and back of the corset prevent the whalebone from forcing its way out of these channels. A hook is attached at the centre front to prevent the petticoat from riding up and causing extra bulk at the waist.

fripperiesandfobs:

Caroline Harrison’s Evening Gown (by national museum of american history)

ca 1889-1893
Dress, 1888-92 France (Lyon), Les Arts Décoratifs
Portrait of Emilie Flöge by Gustav Klimt, ca 1893, Galerie bei der Albertina (Vienna)

Portrait of Emilie Flöge by Gustav Klimt, ca 1893, Galerie bei der Albertina (Vienna)

Wedding dress, 1892 NYC, the Met Museum
More crazy 1890’s sleeves

Wedding dress, 1892 NYC, the Met Museum

More crazy 1890’s sleeves

Tea dress by Emile Pingat, ca 1892 Paris, National Gallery of Australia

Tea dress by Emile Pingat, ca 1892 Paris, National Gallery of Australia

Dinner dress by Worth, ca 1892 Paris, KCI
Afternoon dress, ca 1892 US, the Met Museum

Afternoon dress, ca 1892 US, the Met Museum

Evening cape by Emile Pingat, ca 1891 France, the Met Museum

Evening cape by Emile Pingat, ca 1891 France, the Met Museum

Evening or reception dress by Worth, 1890-95 Paris, the Mint Museum

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