Favorite decades: 1910's, 1800's, 1870's
Favorite artists: Anthony van Dyck, Giovanni Boldini, Henry Fuseli, Thomas Lawrence
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Walking dress, 1817-20 UK, the Victoria & Albert Museum
Echoes of military uniform give this walking dress a masculine flourish. The curving satin bands applied to the front of the spencer are reminiscent of the parallel lines of braiding which extended across the breast of many uniforms. Passementerie in the form of crescent-shaped moulds, looped cord and balls covered in floss silk replace the gilt or silver buttons on some regimental coats. The tassels on the collar ends and cuff bands evoke the tassels adorning boots, hats, sashes and cap lines of military accessories. In place of epaulettes, puffed oversleeves composed of linked bows emphasize the shoulder line.
The infusion of military styles into fashionable dress in Britain was largely due to the influence of the Napoleonic Wars (1793-1815). Among other factors, contact with foreign troops had a strong impact on civilian as well as regimental dress, and military ornament was translated into stylish trimmings on women’s hats, bodices, spencers and pelisses. The uniforms worn during this period were some of the most elaborate in the history of military dress, and their bright colours, frogging, braid and tassels fuelled the imagination of fashion for years to come.
Although this walking outfit is not based on any particular uniform, some garments closely followed certain styles. The uniform of the hussars, who were light cavalry, was particularly flamboyant as it was derived from Hungarian national dress. In her memoirs, Elizabeth Grant describes the admiration she received when she ‘walked out like a hussar in a dark cloth pelisse trimmed with fur and braided like the coat of a staff-officer, boots to match, and a fur cap set on one side, and kept on the head by means of a cord with long tassels’.
Vogue, October 7th 1897
Walking suit, ca 1914
(Left) Afternoon dress, ca 1917
(Right) Dress, ca 1918
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Mädchen vor dem Lottogewölbe by Peter Fendi, 1829 Vienna, the Belvedere
The title means something like “girl in front of the lottery vault”.
Ad for the London Underground by F C Witney, 1913 England
via vintage-ads on LJ. (Having so much fun looking through these posts.)